Bajiquan Wikia
Bajiquan Wikia
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Name[]

Vajrapani "Jingang"

Vajrapani

The term Bashi 八式 means "eight styles" and refers to the 8 routines or "lines".

Training[]

The Jingang Bashi are generally trained linearly, consisting of repeating a single movement multiple times. They can be practiced using only one side of the body, or by alternating left/right.

The Form[]

Names are presented in their Chinese terms, followed by Pinyin, and finally an English Translation. If you are on the mobile page, please slide the table to the left to view the rest of it.

Style 1st 2nd 3rd 4th 5th 6th 7th 8th
Shaolin 降龙

Xiáng Lóng

Subdue Dragon

伏虎

Fú Hǔ

Beat Tiger

分心掌

Fen Xin Zhang

Divide Heart Palm

穿捶

Chuan Chui

Piercing Hammer

盖捶

Gai Chui

Covering Hammer

野马掌

Ye Ma Zhang

Wild Horse Palm

捧肘推山

Peng Zhou Tui Shan

Hold Elbow Push Mountain

单凤掌

Dan Feng Zhang

Single Wind Palm

An 撑捶Chēng Chuí 穿掌

Chuan zhang

降龙

Xiáng Lóng

伏虎

Fú Hǔ

劈山掌

Pī Shān Zhǎng

探马掌

Tàn Mǎ Zhǎng

虎抱

Hǔ Bào

Baji Association 撑捶Chēng Chuí[1]

Punter's Fist

Lü Baochun

穿掌

Chuan zhang

Piercing Palm

Lü Baochun

劈山掌

Pī Shān Zhǎng

Mountain Splitting Palm

Lü Baochun

降龙Xiáng Lóng

Taming The Dragon

Lü Baochun

伏虎

Fú Hǔ

Take Down The Tiger

Lü Baochun

探马掌

Tàn Mǎ Zhǎng

Spying Palm

Lü Baochun

虎抱

Hǔ Bào

Tiger's Embrace

Lü Baochun

圈抱掌

Quān Bào Zhǎng

Three Circle Embrace

Lü Baochun

Huo 撑捶

Chēng Chuí

迎面掌

Yíng Miàn Zhǎng

降龙

Xiáng Lóng

伏虎

Fú Hǔ

劈山掌

Pī Shān Zhǎng

探马掌

Tàn Mǎ Zhǎng

圈抱掌

Quān Bào Zhǎng

虎抱

Hǔ Bào

Ma
TianJin 降龙

Xiáng Lóng

Zhou JingXuan

伏虎

Fú Hǔ

Zhou JingXuan

Cheng Zhang

Zhou JingXuan

撑捶

Chēng Chuí

Zhou JingXuan

Long Na

Zhou JingXuan

探马掌

Tàn Mǎ Zhǎng

Zhou JingXuan

劈山掌

Pī Shān Zhǎng

Zhou JingXuan

WuTan 馬步衝捶

Mabu Chong Chuei

Horse Step Punch

左右攬捶

Zuǒyòu lǎn chuí

Hammerfall Strike

崩捶靠

Bēng chuí kào

Collapsing Palm

連環捶

Liánhuán chuí

Chaining Fist

小纏衝二捶

Xiǎo chán chōng èr chuí

Coiling Double Strike

劈挑掌捎捶

Pī tiāo zhǎng shāo chuí

Split Palm Cleaving

左右橫打

Zuǒyòu héng dǎ

Horizontal Strike

磋步托天掌

Cuō bù tuō tiān zhǎng

Hold the palm of the sky

Wudang
Xu

Characteristics of each style[]

An[]

The An Family teaches Jingang Bashi as part of its initial Bajiquan training. The lines are practiced with opening and closing movements facing the side, and feature a distinctive turning movement at the start and finish of each line. They are used to teach practitioners fa li(发力, force generation) principles prior to learning Taolu. 降龙 Xiáng Lóng and 劈山掌 Pī Shān Zhǎng are generally taught together, out of sequence, as they use similar but opposing principles.

An JianQiu[2] translates the name into English as: "the eight hardest fighting movements", with "hardest" not referring to difficulty but to the feeling of indestructibility that is cultivated in Bajiquan. After stances, this is the first set of Bajiquan movements learned at the school.

Baji Association[]

Baji Association uses Jingang Bashi as a basic training method, alongside XiaoJia. Believing that it should be performed at a "moderate pace" with focus on structure and quality of movement, it is one of the most fundamental sets in the curriculum. Lü Baochun has been quoted to have advised training 200+ repetitions (100 for each side) of Cheng Chui, in particular, as a method of developing power.

Han[]

Huo Family[]

Huo Family Bajiquan teaches the Jingang Bashi at the third "stage" (out of a total seven) of their practice, following learning foundational movements, XiaoJia, DanDa and Pigua Zhang taolu.

Ma Family[]

The Ma Family takes a rather different approach to the set than other schools; current practice in Ma family is to break up Ganggong Bashi and spread them out into the Ma family’s basic curriculums, as opposed to learning it in the Bajiquan curriculum.

Wu Family[]

WuDang Pai[]

The WuDang Pai / Shizaam school, created by Ismet Himmet, appears to have a routine known as the "Nine Fists" which seems to be based on the JinGang BaShi and includes some of the same techniques including PiShan Zhang and the first two techniques bear heavy similarities to Cheng Chui and Chuang Zhang. This version is said to come from Long Jin-Ju.[3]

WuTan[]

Wu-Tan continues to follow the principle of "Basic Movements" before forms, in this case Xiao Baji. While Jingang Bashi is taught early on, especially to newly advanced Tanglangquan students, Following after 'Mabu Chong Chuei stage 1'. The layers are slowly revealed as the student progresses, gradually adding on and expanding after grinding repetitiously and meticulously.

Xu[]


References[]

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